This weekend I will travel to Asilah, Morocco, to take part on coming Tuesday in a day of homage for the great arabophone poet Mohammed Bennis, in the context of the 38th International Cultural Moussem at Al Moutamid Ibn Abbad Summer University, in the company of Adonis, Bernard Noël, Joachim Sartorius & a number of other poets & critics. Here, the detailed schedule: Programme Hommage au poète Mohammed Bennis 38ème Moussem culturel international d’Asilah … Read more Homage to Mohammed Bennis
Clayton Eshleman started his first magazine, Caterpillar, in New York City in the fall of 1967 — the very same moment I moved from Europe to the US. It wasn’t until some time in late 1968 that the magazine was brought to my attention, either by Robert Kelly, with whom I was working on Paul Celan translations at Bard College, or by Thomas Meyer, a student like me at … Read more A Sulfur Anthology: Clayton Eshleman, ed.
A new issue of Hyperion, the first of a two-part issue on Mallarmé curated by guest editor Kari Hukkila, was released at the end of last year. It features new texts written expressly for this occasion, as well as the first-ever English translation of Alain Badiou’s Perroquet text from 1986, “Est-il exact que toute pensée émet un coup de dés?” Badiou reads Mallarmé’s Coup de dés as “the greatest … Read more Hyperion Mallarmé
Via the incomparable Arab Literature (in English) website: ‘Makhzin’ and the Link Between Multilingualism and Experimental Writing by mlynxqualey At 6 p.m. tomorrow, the new experimental, trilingual Makhzin will launch its first issue in Beirut. Editor Mirene Arsanios answered a few questions about the project: ArabLit: Why experimental works? What role do you think experimental and avant garde works play in the literary arts? Locally, regionally, globally? Mirene Arsanios: Experimental work is a broad term. I … Read more A New Arab Magazine of Experimental Writing