A Sulfur Anthology: Clayton Eshleman, ed.

Clayton Eshleman started his first magazine, Caterpillar, in New York City in the fall of 1967 — the very same moment I moved from Europe to the US. It wasn’t until some time in late 1968 that the magazine was brought to my attention, either by Robert Kelly, with whom I was working on Paul Celan translations at Bard College, or by Thomas Meyer, a student like me at … Read more A Sulfur Anthology: Clayton Eshleman, ed.

Clayton Eshleman: The Essential Poetry (1960-2015)

This superb volume from Black Widow Press landed on my desk a few days ago & I have only been able to dip into it from time to time between writing deadlines & preparations for moving (to Boise, ID for the spring semester). I recommend it wholeheartedly as what may be the definitive collection of Eshleman’s poetic oeuvre. Very useful — for both the new reader and the one who … Read more Clayton Eshleman: The Essential Poetry (1960-2015)

Clayton Eshleman’s Experience

Clayton Eshleman has been one of this country’s most serious, engaged & productive poets, translators & thinkers on the matter of poetry for more than half a century now. As Adrienne Rich wrote about the volume Companion Spider: “As a poet and translator, Clayton Eshleman has gone more deeply into his art, its processes and demands, than any modern American poet since Robert Duncan or Muriel Rukeyser… Eshleman has … Read more Clayton Eshleman’s Experience

Clayton Eshleman’s British Museum Notebook

Sometime last week I forwarded a review of a current British Museum exhibition on prehistoric art to Clayton Eshleman. He responded two days ago, saying: “I remembered my little moleskin notebook I had with me in London 2007 when at that Museum. I decided to copy out my notes on the ancient pieces I scribbed standing before their windows one morning…” And with his permission, here they are, for me clearly more than fragmentary notes, poems … Read more Clayton Eshleman’s British Museum Notebook

Clayton Eshleman’s Anatomy of the Night

I have been reading — & rereading — Clayton Eshleman’s An Anatomy of Night (published — details here — by Blaze Vox [Books] in 2011) with great, & indeed, increasing pleasure over some weeks now. It is vintage Eshleman, that is, the strength & power of image-making, always his forte, & the muscular & nervous dynamic that organizes & drives these knotted metaphorics forward, have in no way diminished with time … Read more Clayton Eshleman’s Anatomy of the Night

Weekend Reading: Rexroth, Césaire & Collage

With the summer all but gone, the Maghrebi anthology all but done, the first week of teaching behind me, & a long weekend ahead, there may even be time to get some leisurely reading done. Returning to Brooklyn after 3 months on the road, I found a trove of books that had arrived or that I hadn’t gotten to in the spring. Below, a few of these (more over … Read more Weekend Reading: Rexroth, Césaire & Collage


José Antonio Mazzotti from: Sakra Boccata Translation by Clayton Eshleman 5 Because blessed You are among all women And blessed this fleshy bulk like a dog rose It saves my soul with the Transubstantiation of the Flesh In Wine and Bread of the Glory on this altar I sacrifice myself I feed my goddess as if she were a sea monster I kiss the two cheeks of her Face … Read more SAKRA BOCCATA(2)

Clayton Eshleman in Huffington Post

Today’s Huffington Post publishes an interview with Clayton Eshleman in the context of Anis Shivani‘s series on the state of US poetry now. Check it our here. Further down the page you can read similar interviews with Annie Finch and Ron Silliman (all too short, all of them, to get a real in depth sense of things, unhappily — but I guess that’s the format of journalism).

Lost Caul: Clayton Eshleman on Lascaux

In a previous post (here) I alerted readers to the disaster at Lascaux, and suggested everyone sign the petition for speedy action to save one of the core sites of earliest human art. If you haven’t done so yet, do it now (here) before or after you read Clayton Eshleman’s essay below. LASCAUX, LOST CAUL The cave of Lascaux, with its 600 paintings and 1500 engravings, is the most … Read more Lost Caul: Clayton Eshleman on Lascaux


Operation Cast Lead *  by Clayton Eshleman [In this piece Clayton Eshleman synthesizes a number of reports on the Gaza atrocities, to create an accurate & horrifying report on what happened when the Israeli army invaded. Given the short historical memory — a true if invisible plague in a country where news is instant sound-bytes with 5-minute shelf lives — even among those who claim liberal or leftist convictions, it is important to … Read more OPERATION CAST LEAD