Yto Barrada review: Seismic shifts in Morocco are felt powerfully at the Barbican

Here, the opening of the first review for Yto Barrada’s Agadir installation (see previous post for details): Matthew Collins writes in the Go London section of the Evening Standard: Conceptual art’s present day fall-out discipline, installationism, can often seem like avant-garde stunts plus geography lessons. As with anything that has become a routine there can be trouble propping the eyelids up. But Yto Barrada, the celebrated 46-year-old Moroccan artist … Read more Yto Barrada review: Seismic shifts in Morocco are felt powerfully at the Barbican